Orchestral appearances include leading the Center Stage concert at Opera Theatre of Saint Louis, appearances with the St. Kalb also assisted Corrado Rovaris with Anna Bolena and Yves Abel with L’elisir d’amore at Canadian Opera Company, as well as Alexander Polianichko with Lucia di Lammermoor at Florida Grand Opera, and Stephen Lord with La fanciulla del West at Michigan Opera Theatre. Kalb’s debut with Michigan Opera Theatre conducting Ricky Ian Gordon’s 27, and a return to Opera Theatre of Saint Louis for performances of Gluck’s Orfeo and Patricia Racette’s production of La traviata. Highlights of previous seasons include Rigoletto with both Opera Theatre of Saint Louis and Kentucky Opera, Il barbiere di Siviglia and Carmen with Tulsa Opera, Die Zauberflöte with Opera Maine, L’elisir d’amore with International Vocal Arts Institute’s Summer Opera Tel Aviv program, and Robert Xavier Rodriguez’s Frida with Florida Grand Opera. Kalb was also scheduled to return to Tulsa Opera for Tobias Picker’s Awakenings, directed by James Robinson, and to Florida Grand Opera to conduct La Traviata. He was also scheduled to debut at Palacio de Bellas Artes in his native Mexico City, Mexico, conducting L’elisir d’amore. Kalb made his debut at Wolf Trap Opera conducting Sondheim’s Sweeney Todd. Kalb also returns to San Diego Opera to conduct the world premiere of the same piece.
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Kalb also makes his debut with Opéra Orchestre National Montpellier for a series of concerts featuring the music of Offenbach, Gluck, Grétry, and Clerambault.Īnnounced performances for the 2022 – 2023 season include his house debut at San Francisco Opera in Gabriela Lena Frank’s El Último Sueño de Frida y Diego. Kalb’s return to Opera Theatre of Saint Louis for the premiere of Tobias Picker’s Awakenings, directed by James Robinson and starring Susanna Phillips. Hailed by Opera News for his “buoyant conducting simultaneously led and followed the singers,” Mexican American conductor Roberto Kalb is quickly establishing himself as an artist of great versatility and talent. In 2017, Sharon was honored with a MacArthur Fellowship and a Foundation for Contemporary Art grant for theater.
He also directed a landmark production of Song Books at the San Francisco Symphony and Carnegie Hall. Sharon distinguished himself with a boldly progressive Lohengrin in 2018, using subtle dramatic direction to completely overhaul the opera into a critique of entrenched power structures. He is the recipient of the 2014 Götz Friedrich Prize in Germany for his production of John Adams’s Doctor Atomic. The first American ever invited to direct at Bayreuth, Mr. His residency culminated in a major revival of Meredith Monk’s opera ATLAS, making him the first director Monk entrusted with a new production of her work. Sharon was the first Artist-in-Residence at the Los Angeles Philharmonic, creating nine projects that included newly commissioned works, site-specific installations, and performances outside the hall. Sharon has directed and produced new operas in moving vehicles, operating train stations, Hollywood sound stages, and various “non-spaces” such as warehouses, parking lots, and escalator corridors. Wasserman Artistic Director of Michigan Opera Theatre. He is founder and Artistic Director of The Industry in Los Angeles and the newly appointed Gary L. Yuval Sharon has amassed an unconventional body of work that expands the operatic form.
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This production is the first to stage La bohème in reverse, marking an impressive creative milestone for Detroit Opera as part of our vision for The Next 50. Presented in the Detroit Opera House in a co-production with Boston Lyric Opera and Spoleto Festival USA, this bold, unconventional take on Puccini’s opus is itself a bohemian work of art: experimental, nonconforming, original. Our favorite starving young artists and lovers survive to hope another day. From finish to start, from death to the promise of new love, from loneliness and despair to the joy of friendships, wine, and song, this reversal presents the characters and arias we love in a refreshing, new vision of the story. How do we go from tragedy to hope? From death to life? From loneliness to love? In this visionary treatment of Puccini’s opus La bohème, Detroit Opera does just that - by presenting the opera in reverse order.
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